Based on the true story of Frank Mitchell who was sprung from Dartmoor Prison by the Krays 10 days before Christmas 1966. Whilst a national manhunt ensued, he was holed up in a flat in East London with a minder and hostess for company. 'The Mad Axeman' is a gripping suspense crime thriller.

An author uncovers information for his new book which leads him to the conclusion that the Mad Axeman is more than just a legend ...

All of Universal's greatest classic monsters gather at the Transylvania Astoria Hotel for Frankenstein's monster and his bride's Friday the 13th midnight wedding.

The Mad, Mad, Mad Comedians is a 1970 American animated television special produced by Rankin/Bass Productions. After the Christmas special Frosty the Snowman (1969), it was Rankin/Bass' second hand-drawn animated work to be outsourced to Osamu Tezuka's Mushi Production in Tokyo, Japan. The show aired on ABC on April 7, 1970 before the airing of that year's Oscars. It was a tribute to early vaudeville, and featured animated reworkings of various famous comedians' acts.

Nine vacationing twenty-somethings are hunted by an ax-wielding local legend.

A small town is terrorized by an axe-wielding madman who attacks small business owners when the moon is full. The movie follows the town's three man law enforcement department, led by Sheriff Jake Genovise, in their attempt to catch the killer before he strikes again. The killer's dark past comes to light via flashbacks. He warns the town of his evil intent by sending letters to the Sheriff detailing his love of killing and his unwillingness to stop. Will the letters lead the Sheriff to the killer? Can the lawmen find him before he kills again or will this once peaceful town remain victimized by a force so evil it may be unstoppable?

When a band of crazed evangelicals, bank robbers and vigilantes descend upon Cutter's Creek, there's only one local legend that can separate them. And dismember them.

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Captain Murakami takes over as skipper of the Azuma Maru, replacing the well-liked former captain. Murakami forces the crew to work harder than they ever have, creating enmity and exhaustion. Just when the ship has taken a huge catch of tuna in its nets, Murakami learns that his ship is the only one in position to rescue the crew of another ship, sinking in a storm. He must choose between saving the catch or saving lives. Either choice may mean his ruin.

A tense, tight close-up of stunt man Ken Carter's role on the stock-car racing track. Risking life and limb to rocket a car from a ramp over a parked line of cars takes more than the will to make a living. What else is involved is shown by the film as the camera looks and listens while the stunt man readies for his act and then makes his wild ride.